Regina Hall Raises Evangelism Material

A strong cast, led by Sterling K. Brown and Regina Hall, exudes a wide range of emotions in another lighthearted simulation “Honk for Jesus. Save Your Soul,” a dark comic book film about a disgraced cathedral preacher and his conflicted wife.

Written, produced and directed by Adamma Ebo, “Honk for Jesus. Save Your Soul” never really gets anywhere as it follows Pastor Lee-Curtis Childs (Brown) and his painful comeback from a sex scandal involving a group of underage boys. year.

As Lee-Curtis’ wife, Trinitie, Hall gives the film its strongest emotional appeal, as her performance hints at a lot about her conflicting character that Ebo’s script doesn’t. full review. And by framing the film as a spoof documentary – directed by fictional filmmaker Anita Bonet – Ebo often directs our attention to body language and the defining body vibes micro-emotions of her on-screen performers.

Ebo’s interest and ostentatious interest in Trinitie also gives Lee-Curtis’ story the necessary impetus and impetus. Bonet and her crew tend to keep filming the Kids for longer than either Trinitie or Lee-Curtis would like, so we spent most of it on “Honk for Jesus. Save Your Soul” is waiting for Trinitie to either get bored or just honestly address Lee-Curtis’ growing despair. His plan – or indeed hope – to reopen Wander the Greater Path Baptist Church doesn’t sound like much, especially since many of his church’s parishioners have moved to nearby Heaven’s House Baptist Church there. So Trinitie’s frustrations with Lee-Curtis understandably increased as Wander the Greater Path’s planned Easter Sunday reopened, and Lee-Curtis’ confidence seemed to grow. mistake.

Hall’s tense grin and overcompensated speech also give viewers something to focus on beyond tsk-tsking at Lee-Curtis’s embarrassing eloquence. Unfortunately, Ebo often seems more interested in Trinitie resisting being seen by Bonet’s camera crew than showing us how Trinitie and Lee-Curtis run their church.

Ebo’s investment in Bonet’s quiet editing makes sense given the essence of “Honk for Jesus. Save Your Soul” as a counter-story to the boxed-back story often favored by epic, media-obsessed characters like Childs. But there’s only so much to learn from the scenes revolving around the Child’s impulsive, materialistic, and egotistical behavior. In this setting, Trinitie’s frustration serves as emotional punctuation in other dramatic scenes that have taken place.

Some moments from “Honk for Jesus. Save Your Soul” suggests that Ebo is only really interested in the children’s buoyancy egos inevitably leading them to situations they have no control over. In a toothless albeit well-executed provocative scene, Lee-Curtis attempts to seduce Bonet Basil’s (Devere Rogers) sound mixer by offering him a job and removing his own shirt. he. The unfortunate tension of that scene begins to ease when Basil bluntly tells Lee-Curtis that, unlike the charismatic pastor, Basil’s boyfriend likes Basil’s facial hair.

This disappointing pick-up looks gross and unnecessary, especially after an earlier scene where we see Trinitie and Lee-Curtis trying to have sex “the normal way,” as she puts it, and he asked her if they could do normal anal sex without sex when he couldn’t. These scenes go far beyond shaming Lee-Curtis for hypocritically focusing on the “homosexual agenda” in his fiery sermons.

Ebo also mindlessly provokes viewer outrage in a scene where Lee-Curtis has an impromptu heart with Monterius West (Mike Dyl), a forgiving “former council”, as he has defined by his standards. subject on the screen. After Lee-Curtis and Monterius embrace, the second line of text on the screen speaks of Monterius as an inmate at the Atlanta Penitentiary, as if that new information had inherent meaning beyond its diminished allus .

A few brief scenes surrounding the radio interviews also reveal that Ebo really wanted to mock the blatant hypocrisy of the black Christians in the South, who denied the deeds. Lee-Curtis’ past wrongdoing. The language and expressions of these callers’ commentary suggest a pattern of denial – especially as many choose to focus on the “legitimate” age of Lee-Curtis’ teen victims. — which Ebo saw only as a way to undermine Childs’ proud rhetoric and attitude.

Hall made the most of this sometimes ingenious material, especially as Trinitie languished under the uncomfortable gazes of Bonet’s camera crew. These brief moments of Trinitie focus effectively suggest that Ebo, through Bonet and her crew, looks to Trinitie as a way to understand why people of color, especially women, stand towards obvious scammers like Lee-Curtis. There are not many good answers in “Honk for Jesus. Save your soul,” especially with the way Trinitie reflexively rejecting seems to define her.

However, Hall actually suggests that her character has a lot on her mind whenever Bonet’s camera turns on Trinitie, as if waiting for her to say something about the apparent behavior. not authentic or simply unconvincing of Lee-Curtis. When Trinitie inevitably crashes the camera, Hall, in character, explodes in a way that feels emotionally satisfying despite the boxed and ultimately unexplorable nature of the scene. “Hush for Jesus. Save Your Soul” doesn’t really work without Hall, but she’s usually nice enough to make you want to wait and see if Trinitie stops biting her tongue and starts screaming.

“Hush for Jesus. Save Your Soul” had its world premiere at the 2022 Sundance Film Festival. Regina Hall Raises Evangelism Material

Curtis Crabtree

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