‘Power Book IV: Force’ is the same way

“Power Book IV: Force” is purely for loyalists.

Power“Got to be one of cable TV’s noisiest series. Its universe continues to expand. Last Sunday’s premiere of the fourth season, “Power Book IV: Force,” which stars Joseph Sikora as Tommy Egan, moved the action from New York to Chicago.

But does it get better? The show is a guilty pleasure, and a guilty pleasure is perfectly OK. But if it will compete for the Emmys, host Courtney Kemp and company will need to change the franchise to become more than just screen candy. For now, sadly, “Power Book IV: Force” is purely for loyalists. But if anything, they’re consistent.

It’s been a long time since Egan last appeared on our TV screens. But he returns as the same brooding, morally compromised protagonist as in the series. Set after Ghost’s death (or is he still alive?) In the first series, the show follows Egan as he rebuilds the drug trade from the bottom up, with sex and violence through often helped make the series, which all opened up like a normal gangster movie without any innovation or originality, was very popular. It was executive producer Curtis “50 Cent” part of Jackson’s autobiography “Get Rich or Die Tryin” in serial form.

“Power Book IV: Force” begins after Tommy leaves Tariq St. Patrick (son of the Ghost who killed him) at the graveyard and flees New York in “Power Book II: Ghost”. While planning to move to California, he stopped in Chicago to correct some mistakes. But the trip becomes a maze of secrets and lies that he thinks have long been buried. Remember, he left New York with nothing on him. Egan uses her quirky identity to break all the local rules and rewrite them in her pursuit of becoming the most notorious drug lord in Chicago.

When the first series premiered in 2014, it was largely dismissed by critics. However, despite its initial detractors, it developed a cult fanbase that made it the most-watched movie ever. It achieves low performance: good ol’ gratuitous sex scenes and graphic violence. This makes it an easy watch that frequently goes on trend on Twitter. The curiosity that the social spotlight attracts can turn some disbelievers into viewers who enjoy watching an all-too-familiar story about a villain who wants to leave legally but is still pulled back. game.

James “Ghost” St. Patrick (Omari Hardwick), is the owner of a New York City club called Truth. Of course it’s called Truth because Ghost is anything but truth. He is also a drug lord. Truth is also considered a drug money laundering operation. But he’s charismatic and hidden within that. It’s a popular character archetype if only for that dual motivation, which could be another reason for the show’s popularity. But the text fails to deliver, and the performances are mediocre. But for many people who aren’t looking for story complexity or great acting it’s a candy bar for many.

To be fair, there are some Shakespearian elements, borrowed from Richard III, for example, in the first series. Ghost is also ruthless in getting what he wants, and in the following seasons, the ghosts of those he destroyed begin to return to haunt him.

Enter his partner in crime Tommy Egan, who is clearly believed to be one of the whites who grew up in the hood of the Negro. And now he is starring in his own series. Just as I like Sikora in his other work, he’s not convincing enough, and perhaps that’s a question of casting.

The acting throughout makes these seasons appear sublime or elevated: In the first sequel, “Book II,” Michael Rainey Jr lacked his father’s charisma. He doesn’t feature Hardwick and isn’t a very good actor in the role. Which meant he couldn’t finally believe that the smooth-talking demon he was supposed to be. Also, building a series around one of television’s most hated characters has always been a problem.

In the third installment, “Power Book III: raise Kanaan,” Tony Award winner Patina Miller is the star. She elevates the documentary alongside Mekai Curtis, who plays her son, making that version the best of the bunch, along with a more gripping story about a drug queen who will do anything to keep her teenage son out of the game.

So let’s go back to “Power Book IV”. Episode one of the current series Starz give press as well. The highlight was the addition of the cold, hardened Tommy Flanagan as Walter Flynn, the head of the Irish crime family who is a man out of his time. He rules the streets of Chicago with an iron fist, aided by an army of loyal enforcers to keep the family business in order. Flynn seems untouchable as the king of the Chicago crime hierarchy. Once the series started, however, it seemed logical that Tommy being hit by a bull’s head would become a big deal for him.

All good and good. The problem for me is still Sikora, especially as a star. Yes, the character is an attractive punk but his acting feels forced and therefore unnatural. Do boys like him exist in real life? Sure. But I think a softer, more calculated act, especially in the noisy, chaotic world in which he exists, could be more lethal and would provide some balance. One gets the feeling that there is a more suitable actor for the part, but fans who have been sticking with the franchise since it started are clearly convinced. Its premiere on Sunday has ended 3.3 million diverse views.

Created by Robert Munic (“Tales,” “Ice,” “Empire”), it’s, by far, everything you’d expect from a “Power” universe series, which means more of the superficial. and violence. But if that’s your type of entertainment, this version might still work for you.

“Power Book Iv: Force” airs on Starz platforms on Sunday.

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https://www.indiewire.com/2022/02/power-book-iv-force-more-of-the-same-fans-1234697239/ ‘Power Book IV: Force’ is the same way

Olly Dawes

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