This year’s nominees tackle topics ranging from bullying, homelessness, disability and civil rights.
As always, this year’s Oscar nominations for documentary short are a fascinating list of insightful journalistic portraits of pressing world issues. Topics covered this year include the housing crisis, life in Afghanistan today, a pioneering black woman athlete, a deaf high school, and bullying. In a stark change from previous years, the 2022 films lean more towards humanistic stories with strong narrative bias. No tough investigative work from the shortlist, like candidates from Laura Poitras and Field of Vision, was cut. Unsurprisingly at this point, the awards dominator Netflix has taken the lead, with three movies on the list: “Audible,” “Lead Me Home,” and “Three Songs for Benazir.”
“Audible” follows a deaf high school soccer player and his classmates during their senior year, directed by Matt Ogens and Geoff McLean and featuring deaf actor and model Nyle DiMarco. producer. Netflix also has Pedro Kos and Jon Shenk’s “Lead Me Home,” a cinematic portrait of homelessness on the West Coast that humanizes the crisis while also providing a sense of the vastness of life. it. The mournful and intimate “Three Songs for Benazir” tells the story of a charismatic young Afghan refugee living in a Kabul refugee camp, and earns praise from Afghan filmmaker Gulistan Mirzaei and his wife. is Elizabeth Mirzaei.
As online distribution remains one of the best ways to capture the attention of short film viewers, The New York Times has slowly become influential in the short film space. The newspaper’s Op-Docs documentary branch also makes the cut with a significantly more uplifting story: “The Queen of Basketball” tells the story of Lusia “Lucy” Harris, the first and only woman started in the NBA. The film praises director Ben Proudfoot (a nominee in last year’s category for “A Concerto Is a Conversation”), and with Shaquille O’Neal as executive producer, the film also has a big chance.
Using a combination of collage animation, interviews with former classmates, and self-reflection, San Francisco filmmaker Jay Rosenblatt explores a bullying incident from his childhood. in “When We Were Bullies”. Appearing on camera as an intrepid guide and narrator, an incident that forces the filmmaker to examine his own complicity in events from nearly 50 years ago. With script supervision from experimental Caveh Zahedi, “When We Were Bullies” was the only true independent film made.
Listed in alphabetical order. No movie will be considered a frontrunner until we’ve seen it.
The one who went first
“Take me home”
“Three Songs for Benazir”
“When we were bullies”
https://www.indiewire.com/2022/02/oscars-2022-best-documentary-shorts-predictions-1234688279/ Oscars 2022: Best Documentary Short Predictions