Despite the overwhelming plethora of TV shows that premiere each week, it’s rare to find one as fully formed as Only murders in the building. Hulu’s comedic crime/true crime podcast spoof arrived with a clear identity from minute one: an established comedy duo starring Steve Martin and Martin Short; a surprising and fun third wheel with Selena Gomez; Art direction inspired by the covers of The New Yorker magazine, brought to life with a playful score by composer Siddhartha Khosla; and a target for his loving satire on true crime podcasts and the people who listen to them. But what’s most impressive is his ability to conjure an entire world out of a single building, and how enjoyable it is to inhabit that world for 30 minutes at a time.
Only murders in the building is located in the Arconia, an apartment building in Manhattan’s affluent Upper West Side neighborhood. Its residents are modeled after the archetypes of old New York — cosmopolitan boomers with spacious apartments and well-stocked bar carts, interested in high-quality art and expecting their well-cared-for idiosyncrasies to be tolerated by all. It’s the kind of place where the presence of Fran Lebowitz, who built a career as a writer before joining Professional New Yorker, is both an important world-building and a highly pointed joke.
In his first season Only murders in the building followed washed up actor Charles-Haden Savage (Steve Martin), disgraced theater director Oliver Putnam (Martin Short) and lodger Mabel Mora (Selena Gomez) as they team up over suspicions that a dead resident’s alleged suicide may actually have happened was a murder – and start a podcast to chronicle their amateur investigations. Across 10 episodes, the series has done double duty, both gently toasting lovers of true crime and crafting an engrossing mystery that spreads wit and intrigue in equal measure.
It’s charm with a certain bite; Oliver, Charles and Mabel are true crime buffs who have wedged themselves into a classic crime case. So as the unlikely trio come to a conclusion (a solution they stumble upon more than they figure out), Only murders in the building can also be read as a story implying it. Her fandom inspires other fans, and her need to construct a compelling narrative centered around the death of another person causes much turmoil for the residents of Arconia.
This was underlined in a season finale, which made for a successful conclusion and led directly to it Another mysterious murder to delve into in season 2, one that might not have happened if its heroes hadn’t interfered.
That second corpse brings a twist Only murders in the buildingsecond season: This time the heroes are the main suspects. It’s a classic reversal for a show like this, one that’s pulled through with a bit of metafictional flair, as Oliver, Charles, and Mabel are also true crime podcast stars, now podcasting their way through a murder they’re responsible for were blamed – literally by posting them. A few metafictional jokes (reviews of their surprisingly “cosy” podcast mirror real-world reviews of the show’s first season) suggest the writers may be able to Only murders in the building are a little to in love with her show to keep the gently satirical edge that makes her core New York aesthetic bearable, but thankfully that’s not the most compelling thing about the show.
Only murders in the building is no joy to see because of him a notice-Very close approximation to a crime thriller – that’s because the Arconia is such a fully realized setting. One of the hallmarks of a good television show is how well it implies a world around it. Simply put, can the show last an entire episode about one character appearing only in the background of another? Perfect for this is a tenement with countless people living close together but often remaining a mystery, where the actual building holds as many stories as its occupants – as Charlie, Oliver and Mabel learn when they discover full ones in season 2 hidden passages in the Arconia.
On only murders, it spotlights a surprising number of background characters, all of whom are equally compelling. That’s probably what’s New York about this Old New York show — it never forgets that everyone comes from somewhere, that every person you meet has a family and a story, and that finding out more about them will almost always surprise you Experienced. Through these people and their stories, you’ll learn how the city has changed and where it could go, who was allowed to be in a neighborhood and who wasn’t. Mabel, as a young Latina misfit, gave the series a much-needed perspective in season 1, one that contrasts with the new season’s renewed focus on the story and what kind of people were flocking to the city’s Upper West Side – what they may have been searching for or hiding from.
In season two, the Arconia continues to be a portal to many wider worlds as Oliver and Charles come to terms with their relationships with their estranged children and their personal history, the history of the Arconia, other tenants who lived there before them, and how they all might intersect with a nude painting of Charles’ father that changes hands almost every episode. It’s crazy, it’s weird and sometimes it’s a little bit sad. But hey, it’s New York.
Only murders in the building‘s The second season premieres Tuesday on Hulu, with new episodes weekly.
https://www.polygon.com/23186425/only-murders-in-the-building-season-2-review Only Murders in the Building season 2 review: dying to live in New York